My artistic practice investigates invisible relationships between sound, image, bodies, technologies, and environments. Through audiovisual performance, installation, and collaborative formats, I create situations where hidden processes, interactions, and connections become perceptible through sensory experience.
Working across digital technologies, sound, moving image, and embodied participation, I explore how relationships emerge between human perception, computational systems, and surrounding environments. My works unfold as dynamic systems in which feedback, transformation, and response continuously shape the experience.
Through artistic research, experimentation, and interdisciplinary collaboration, I translate imperceptible phenomena and processes into audiovisual and embodied experiences. My practice creates conditions in which relationships can be encountered, sensed, and experienced.
In live performances, I create and operate the visual and audiovisual systems in real time. The visual composition is generated through my own systems, gestures, and improvisation, developing in dialogue with the musicians, performers, and acoustic conditions of each performance.
Research Theme
Invisible Relationships
Research Question
What happens to relationships when they move between different systems of perception, knowledge, and matter?
Methods
System-based composition
Embodied interaction
Real-time audiovisual feedback structures
Collaborative improvisation
Generative audiovisual systems
Computational image–sound translation
Collaboration
Collaboration is an integral part of my practice. Projects are developed with musicians, sound artists, researchers, scientists, and participants through shared processes of exploration, experimentation, and knowledge exchange.
Within collaborative performances, I develop and perform the visual and audiovisual systems, improvising in real time in dialogue with the other performers and the conditions of the work.
Research Lines
freq:res [2019–ongoing]
An investigation into frequency as a material for structuring audiovisual perception. Sound operates as a generative condition for image and spatial experience within modular systems where relationships shift through time, variation, and context.
opt:exp [2025–ongoing]
A framework exploring how optical, material, and computational conditions shape perception. Combining light, sound, textiles, and embodied processes, the work creates shifting spatial and sensory environments that evolve through interaction and transformation.
DAS [2022–ongoing]
An investigation into communication systems and how they shape what becomes visible, intelligible, and actionable. It examines interfaces, design systems, branding, and social structures as mediating forces that organize attention and influence meaning-making.