My practice works with interaction as a shared field between sound, image, body, and computational processes. Through performance, installation, and collaborative formats, I construct environments where perception is continuously shaped through feedback and response. These works unfold as situations in which audiovisual relations are formed in real time through time, action, and system behaviour.

Methods

system-based composition
embodied interaction
real-time audiovisual feedback structures
collaborative / distributed authorship

Collaboration

Collaboration is an integral part of the practice. Projects are developed with musicians, sound artists, researchers, and scientists, operating within shared working structures.

Research Lines

freq:res [2019–ongoing]
An investigation into frequency as a material for structuring audiovisual perception. Sound operates as a generative condition for image and spatial experience within modular systems where relations shift through time, variation, and context.

opt:exp [2025–ongoing]
A framework exploring how optical, material, and computational conditions shape perception. It combines light, sound, textiles, and embodied processes in installation and wearable contexts, producing shifting spatial and sensory conditions over time.

DAS [2022–ongoing]
An investigation into how communication systems shape what becomes visible, intelligible, and actionable. It treats communication as a structuring force operating through interfaces, design systems, branding, and social logics. These infrastructures organize attention and condition meaning within mediated exchange.