My practice works with interaction as a shared field between sound, image, body, and computational processes. Through performance, installation, and collaborative formats, I develop environments where perception is shaped in real time through feedback and response. These works unfold as situations in which audiovisual relations are continuously formed through time, action, and system behaviour.
Methods
Collaboration
Collaboration is an integral part of the practice. Projects are developed with musicians, sound artists, researchers, and scientists, where contributions operate within shared working structures.
system-based composition
embodied interaction
real-time audiovisual feedback structures
collaborative / distributed authorship
My work is developed through processes where interaction functions as a working condition. Sound, image, and behaviour influence one another in real time. Embodiment shapes how these situations respond through gesture, timing, and physical presence. Collaboration forms part of this practice alongside system design, performance logic, and material experimentation.
freq:res [ 2019–ongoing ]
An investigation into frequency as a material for structuring audiovisual perception. Sound shapes how image and space are experienced through modular systems where relations shift through temporal variation and context.
opt:exp [ 2025–ongoing ]
A framework exploring how optical, material, and computational conditions shape perception. It brings together light, sound, textiles, and embodied processes within installation and wearable contexts. These elements interact to produce shifting spatial and sensory conditions over time.
live systems
Live Systems is a series of real-time environments where sound, image, and body operate as a responsive structure. The works respond to live input and changing conditions, producing shifting relations between gesture, timing, and audiovisual behaviour. Meaning emerges through these interactions. The body operates as part of the system, shaping how the work evolves.