Timeframe: 2019–ongoing
[freq:res] is a long-term artistic research project investigating the relationship between sound and visual form through frequency-based structures and real-time systems.
The work examines how acoustic parameters — frequency, rhythm, amplitude, and vibration — can function as structural forces within audiovisual installations. Rather than accompanying visual elements, sound operates as a generative input that shapes spatial, temporal, and perceptual conditions.
Developed through modular architectures, feedback processes and live system interaction, [freq:res] unfolds across installation environments, audiovisual configurations, and collaborative contexts. Visual form emerges through dynamic relationships between signal, constraint and temporal modulation, resulting in adaptive systems in which frequency is treated as architecture and vibration as compositional structure.
Timeframe: 2025–ongoing
[opt:exp] is a research line focused on optical systems, light-based structures and perceptual processes within installation-based practice.
The project explores how light can operate as a structural and performative material, interacting with sound, space and embodied perception. Responsive optical systems — including wearable LED structures, projection environments and dynamically modulated light configurations — generate evolving spatial conditions shaped by signal-driven feedback.
Positioned within contemporary art and experimental media contexts, [opt:exp] investigates optics as both material and methodology. Through site-specific installations, live configurations and interdisciplinary collaboration, the research examines perceptual thresholds, temporal modulation and emergent audiovisual behaviour within light-based systems.
Live configurations are an integral component of the practice. They function as real-time system environments in which sound, image and light interact through structured feedback processes.
Within these contexts, generative systems are calibrated and tested through temporal interaction. Real-time input influences system behaviour, allowing audiovisual structures to evolve dynamically within installation frameworks.
These configurations support research into emergence, modulation and spatial responsiveness, maintaining the works as open systems rather than fixed compositions.
Interdisciplinary collaboration is a core dimension of the practice. Projects are developed in dialogue with musicians, sound artists, scientists, technologists and theorists, expanding the research beyond a single disciplinary framework.
In collaborative contexts, visual systems remain structurally central, while external contributions function as interacting components within installation-based environments.
Through these constellations, the work investigates how shared systems can generate emergent audiovisual behaviour across artistic and research contexts.